--- name: competitive-platform-analysis description: >- Use when scoping a competitive landscape — identifying, categorising, and score-filtering a competitor set before any benchmarking begins. Decides who counts as a competitor, which tier they belong to, and which sources to mine. First step in the three-skill competitive pipeline; precedes benchmark-methodology. origin: community --- # Competitive Platform Analysis Use this skill to decide **who to benchmark** and **where to find them** before any scoring begins. A competitive analysis is only as good as its frame: the wrong set makes the client look either unbeatable or doomed. The goal is a defensible, decision-relevant set — not an exhaustive census. ## When to Activate - About to start a competitive benchmarking project and need to define the competitor set first. - Unsure which companies belong in Direct / Adjacent / Aspirational tiers. - Need a defensible, pruned scope for a market landscape report. - Has a positioning brief and wants to identify who contests that position. - First step before running benchmark-methodology. ## Client positioning brief (establish first) Before scoping the set, establish the client's positioning brief. If you don't already have it, run a short brand-discovery interview to elicit it — do **not** invent one and do **not** scope the set blind. The brief supplies: - **Identity / aesthetic register** — what kind of studio or company this is and how it presents itself. - **Offer** — what services or products it delivers. - **Target clients** — who it sells to. - **Differentiator** — the moat or positioning argument the client believes in. - **Scoping consequence** — the implication for how to weight competitors (e.g., prioritize by distinctiveness vs. capability overlap vs. price). - **Strategic tension** — the paired axes that define the client's white-space (e.g., memorability × hireability). **Do not proceed without the positioning brief.** A competitor list scoped without the client's lens is noise, not intelligence. The scoping consequence in particular determines which competitors are *strong* rivals (those that contest the client's moat) vs. merely overlapping on service menu. ## Selection criteria For each candidate, capture these axes — they decide both inclusion and tier: - **Size / model** — solo, micro-studio (2–8), boutique (sub-30), mid-size agency. Match the client's own band; same-band studios are the realistic head-to-head set. - **Niche / specialization** — how closely the candidate's focus overlaps with the client's offer. Tighter overlap = more direct. - **Geography / market** — EU vs US vs global-remote; language; time-zone reach. Note whether they win the same clients the client targets. - **Pricing & engagement model** — productized sprints, retainer, project, day-rate; transparent vs "contact us". Signals positioning maturity. - **Portfolio style** — generic vs. opinionated/editorial vs. contrarian. Closer to the client's aesthetic register = more they contest the client's distinctiveness. - **Technical depth / craft maturity** — relevant if the client's credibility story includes public process work, open tooling, or documented systems. - **Brand strength** — does the studio have an ownable verbal/visual identity, or is it interchangeable? Weight this per the client's scoping consequence. ## Player taxonomy — axes to populate across Don't sort competitors into niche-specific buckets; sort them along a few generic axes so the landscape isn't skewed toward one archetype. These axes apply to any creative-service market (design, motion, copywriting, branding, content, film, etc.). Aim for breadth across each axis first, then prune to the most instructive. 1. **Positioning stance** — *brand-led / editorial* (competes on identity, voice, POV) vs *capability-led* (competes on craft, throughput, outcomes). Populate both poles; the client's closest mirror sits at its own end. 2. **Specialization** — *specialist* (one tight discipline or vertical) vs *generalist* (broad service menu). Tighter overlap with the client's focus = more direct. 3. **Size / model** — *solo / micro* vs *boutique* vs *mid-size* vs *enterprise-scale*. Same-band players are the realistic head-to-head; larger bands are the aspirational/commercial-maturity reference. 4. **Engagement format** — *productized* (named sprints, audits, fixed packages) vs *bespoke* (custom project / retainer). Signals positioning maturity. 5. **Distinctiveness posture** — *conventional / safe* vs *contrarian / manifesto-driven*. The opinionated end is key for distinctiveness benchmarking in any niche. 6. **Evidence / credibility model** — *outcome-led* (metrics, named clients, case depth) vs *aesthetic-led* (portfolio, awards). Tells you how each player earns trust. 7. **Brand strength of the operator** — *interchangeable* vs *cult / ownable identity* (including senior independents who prove the "memorable solo brand" model). 8. **Market / reach** — *local / regional* vs *global-remote*; note whether they win the same clients the client targets. Plot each candidate on the relevant axes; a competitor is *direct* when it sits near the client on positioning, specialization, size, and market at once. ## Competitive tiers (how the set resolves) Group the final set into three tiers — this structure carries through to the report: - **Direct** — same band, overlapping offer, same client targets. The realistic head-to-head. - **Adjacent** — partial overlap (one capability, or a different client size) that pressures at the edges. - **Aspirational** — players the client is not competing with today but whose brand or commercial maturity sets the bar to aim at. - *(Watch also for substitutes: no-code/AI tools, in-house teams, generalist freelancers — note as a threat vector, not a profiled competitor unless materially relevant.)* ## Data sources (where to look) Match the source to the dimension you need. The platform *types* below are generic; substitute the ones native to the client's niche (e.g. Dribbble/Behance for design, showreel/Vimeo for motion, writing samples/published work for copy): - **Portfolio / craft platforms** — craft quality, range, aesthetic register (e.g. Dribbble, Behance, Vimeo, or the niche's equivalent showcase). - **Awards / curated showcases** — craft ambition and editorial recognition; over-indexes on flashy, so cross-check commercial credibility (e.g. Awwwards, industry award lists). - **Competitor's own site** — primary source for positioning, voice, offer packaging, pricing posture, named clients, manifesto/POV. - **LinkedIn** — team size/model, founder narrative, post cadence, client logos, geography. - **Review directories** — reviews, named clients, project sizes, engagement models; strongest signal for commercial credibility and enterprise-readiness (e.g. Clutch.co or the niche's equivalent). - **Open / public work** — process repos, published samples, open creative output: depth and craft-transparency evidence. - **Conference talks / podcasts / newsletters** — thought-leadership depth and POV ownership. Always **verify claims across at least two sources** before treating a competitor attribute as fact (self-reported site copy ≠ verified outcome). Carry an adversarial-verification discipline into every profile. ## Scoring matrix template (selection stage) A lightweight pre-filter to decide who graduates into full benchmarking. Score 1–5; keep candidates that score high on **either** distinctiveness **or** credibility — the client's strategic tension means both poles are instructive. | Candidate | Positioning stance | Specialization | Size band | Tier | Offer overlap (1–5) | Distinctiveness (1–5) | Commercial credibility (1–5) | Craft proximity (1–5) | Include? | |-----------|--------------------|----------------|-----------|------|---------------------|------------------------|------------------------------|------------------------|----------| Rules of thumb (apply per the client's scoping consequence in the positioning brief): - High distinctiveness **and** high credibility → must-profile (proves the client's target tension is achievable). - High distinctiveness, low credibility → cautionary case (memorable but un-hireable — a potential failure mode to learn from). - High credibility, low distinctiveness → "competent but forgettable" mass the client defines itself against. - Low on both → drop unless needed for landscape breadth. ## Output of this stage A scoped, tiered competitor set (typically 10–18 candidates → 8–12 profiled), each tagged with its axis positions, tier, and source links, ready to hand to `benchmark-methodology`. ## Anti-Patterns - **Scoping without a positioning brief.** A competitor list built without the client's lens is noise. The brief determines what counts as a real rival. - **Listing every similar company.** The goal is a defensible 10–18 candidate set, not a census. Breadth without pruning makes benchmarking unmanageable. - **Blurring the Direct/Adjacent/Aspirational tiers.** These tiers serve different strategic purposes. Mixing them produces a flat list that can't drive decisions. - **Relying on a single source per competitor.** Self-reported site copy is marketing, not fact. Verify attributes across at least two sources. - **Jumping straight to scoring.** This skill scopes and tiers the set. Benchmark-methodology handles scoring. Don't conflate the two steps. ## Examples **Scenario:** A boutique brand-identity studio (2-person, EU-remote, productized sprints, contrarian/manifesto-driven aesthetic) wants to scope its competitive set before benchmarking. The strategic tension from the positioning brief is *memorability × hireability*. **Step 1 — eight-axis population (sample candidates):** | Candidate | Positioning stance | Specialization | Size band | Engagement | Distinctiveness | Evidence model | Brand strength | Market | |---|---|---|---|---|---|---|---|---| | Studio A | brand-led / editorial | identity only | micro | productized | contrarian | aesthetic-led | cult | global-remote | | Studio B | capability-led | broad DS+motion | boutique | bespoke | conventional | outcome-led | interchangeable | US | | Agency C | capability-led | brand+digital | mid-size | retainer | conventional | outcome-led | interchangeable | EU | | Freelancer D | brand-led | brand voice only | solo | day-rate | editorial | aesthetic-led | ownable | global | | Studio E | brand-led | brand strategy | micro | productized | manifesto-driven | outcome-led | cult | EU-remote | **Step 2 — pre-filter scoring (client scoping consequence: weight distinctiveness because the client's moat is POV-first, not capability breadth):** | Candidate | Offer overlap (1–5) | Distinctiveness (1–5) | Commercial credibility (1–5) | Craft proximity (1–5) | Tier | Include? | |---|---|---|---|---|---|---| | Studio A | 5 | 5 | 3 | 5 | Direct | ✓ must-profile | | Studio B | 3 | 2 | 5 | 3 | Adjacent | ✓ credibility anchor | | Agency C | 2 | 1 | 5 | 2 | Aspirational | ✓ scale reference | | Freelancer D | 4 | 4 | 2 | 4 | Direct | ✓ cautionary case | | Studio E | 5 | 5 | 4 | 4 | Direct | ✓ must-profile | **Step 3 — output handed to `benchmark-methodology`:** Five candidates (3 Direct, 1 Adjacent, 1 Aspirational), each tagged with axis positions, tier, and source links. Studio A and Studio E are the sharpest head-to-head rivals; Freelancer D is the "memorable but un-hireable" cautionary case to learn from. ## Related Skills - `brand-discovery` — use first to establish the positioning brief and strategic tension that scopes the competitor set. - `benchmark-methodology` — the next step; takes the tiered set and scores each competitor across nine dimensions.